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44 'Fulltone' For Sale in Singapore
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Description
The 10th anniversary of the pedal that started it all. Once you try you’ll know why. It’s got the fullness and the great bluesy lead tone that’s just right. Couple of options to tweak like the flat mids, vintage mids (more mids) and comp cut option. Can also do MOSFET or regular clipping. Used but not abused. Works perfectly. Feel free to chat for more details.

khyzer
2 months ago
Description
Fulltone OCD V2 The OCD has received many slight tweaks since its birth in 2004, often incorrectly identified as “version 2, Version 3, Version 4.” In reality there has always been only one version…Version 1, with very slight variations in a couple of values after that making them V1.0 through V1.8. All OCDs serial 205811 and higher are the new, less compressed versions some refer to as "v2.01" What's stayed the same The OCD was the first pedal to use Mosfets as clipping devices. Another first was thei
Description
FEATURES: Dimensions: 4.45"W x 4.2"D x 2.5"H 16 gauge cold rolled steel enclosure. Based around the desirable JRC4558 chip and 1990’s Full-Drive circuit, with 2 toggle switches for many more sonic options. 30% smaller than the FD2-MOS, 15% smaller than the FD3 at only 4.45" wide x 4" deep. 2 Footswitches: Left ON/OFF footswitch: True-Bypass switching with exclusive Fulltone “Anti-Pop” circuit. Right “Channel select” footswitch: switches between Overdrive 1 or Overdrive 2, each with individually adjus
Description
The Fulltone Custom Shop CS-Ranger. The greatest Rangemaster treble booster clone ever? Here's why I think it could be: Proprietary Power supply design allows this PNP (Positive to ground) Germanium pedal to be powered by any standard NPN (Negative to Ground) power supply! 6-position rotary switch, 6 different sounds, including Rangemaster 1 and Rangemaster 2 Sexy amber light jewel. Top-mounted jacks & DC port Adjustable Transistor Bias trimmer. Want it soft? Want is hard? Want more or less chime?
Description
Mint condition with box. Never gigged, only used at home. Our Soul-Bender is based on the legendary Colorsound and Vox Series III ToneBenders made by Sola-Sound/England in the late '60's that was used by Beck and Page on much of their circa 1968-70 recordings. Equipped with 3 gain-matched germanium transistor for a FAT, searing lead tone, I also made the Tone control response and range more usable and much less shrill sounding... Full clockwise is SMOOTH sounding. The Soul-Bender cleans up when you back-
Description
Yes it's true, finally the sound of a late 90s to early 2000s Fulldrive with-OUT the boost channel! Simple as it comes... with Volume, Tone, Drive, and toggle bringing back the Flat-Mids (FM), Vintage, and the infamous (for assaulting the front end of tube amps) Comp-Cut (CC) modes. Simple True-Bypass switching, 9-18 volt operation. No need to find and pay $400-$600 for a 90's FD2 anymore. Soundwise? I'm talking about the exact (full midrange) Comp-Cut that was in the earliest FD2s, not the Flatter mids
Description
Enhanced Bypass Testimonial: "I wasn't surprised at the greatness of the new WahFull. And it IS awesome. The thing that really knocked me out was the "Enhanced Bypass". Man, I've never heard anything even close. That's a grand slam! Usually you're stuck with varying degrees of tone suck and you just have to deal with it. In my case, I've been using pedal switchers for years to have a separate loop for everything to try and avoid the crap. (By the way, I rarely, if ever, comment on anything) To my ears, run
Description
Condition - Used with light scuff marks - No box - No Trade Details: The dual-channel Full-Drive 2 Mosfet is housed in a powder-coated blue 16ga. steel enclosure. The first channel, Overdrive Mode, offers clean boost or non-compressed overdrive, and light to medium softer overdrives, while retaining your guitar's original tone. The Tone knob acts as an effective presence control. The second channel, Boost Mode, has its own distortion control for medium to higher gains with a singing violin-like sustai
Description
One of the pedals that I often leave on. Slightly darker sounding overdrive with insane tonal range. Selling because I’m making space for a smaller stompbox as I don’t really use the isolated boost (and also I’m planning to downsize). Well taken care of, cosmetic wise and functions are in excellent condition. Great pedal!
Description
What is the Queen Bee? The Custom Shop Queen Bee is powered by 3 x New Old Stock Military “Flying Saucer” germanium transistors in an original design that behaves in an amp-like manner, meaning it responds dynamically to the input from your hands and guitar. Great clean-up by lowering the guitar’s volume knob, sweet mids, clarity, sustain, harmonics...it’s all in there. The #1 and #2 transistors are configured to achieve maximum gain in order to hit transistor #3 extremely hard, creating more sustain
Description
The mighty PlimSoul returns! ...and the MkII is better than ever, with: Clipping = Distortion, and for many years we’ve only been offered two clipping choices: Soft-Clipped or Hard-Clipped. Soft-Clipped pedals include Tube Screamers, Fulldrive2, OD-1, Zendrive, etc, which get their distortion by using diodes placed in the feedback loop of their Opamp. This type of clipping is generally favored by the folks wanting a cleaner, more compressed, low-to-medium gained Overdrive sound. The other choice we h
Description
Unlike its cousin the FD2, the FD3 uses both a JFET input and a JFET op-amp, giving it the most tube-like sound you can get out of a tubeless pedal. Along with great sound, these JFET’s give the FD3 an ultra-high Input impedance which allows the pedal to mate with any type/gain of pickup and react well to changes in your guitar’s volume control. 3-way CLIPPING toggle switch: set to 90’s and you’ll get symmetrical clipping with ample midrange. Set the switch to WIDE ASYM (wide asymmetrical) and more swe
Description
At Fulltone USA Custom Shop, we are thrilled to unveil our latest masterpiece—an exact, part-for-part recreation of one of the most valuable and sought-after guitar pedals ever made. This is more than just a pedal; it’s a tribute to a legend, meticulously crafted to deliver the authentic sound and feel that established boutique pedal building. We’ve spared no expense in bringing this iconic pedal back to life. Every detail, from the hand-selected components to the original circuit design, has been faithf
Description
A while back I started wondering what would happen if I took two completely separate Supa-Trem circuits and joined them together! Not fake-stereo like other Tremolo, Chorus, Phase, or Flanger pedals, these merely invert the signal at the output and send it to another jack...boring. The CS-ST2 v2 has two identical seperate circuits in TRUE-STEREO with two INs and two OUTs! It’s got enhanced-bypass thanks to hi-quality JFET buffered outputs. The CS-ST2 v2 is the IDEAL device to place at the end of your chain.
Description
The OCD pedal is the only pedal that uses 2 x Mosfets configured as hard-clipping to 'Voltage reference" instead of the usual way: to ground." The earliest OCDs used 2 x Mosfets plus 1 x Germanium diode, but very quickly these diodes became harder and harder to find, and they became expensive. Recently I stumbled across a reasonably large stash of the right kind of Germanium diodes so I ponied-up and bought all of them. So I decided to do a run of the ultimate OCD: a Custom Shop offering with a few circu
Description
What is it? The Fulltone 2B is a tiny, transparent, and amazing boost pedal, born from the “Boost” channel in our FD3 pedal. Crammed the circuit into the smallest possible enclosure 4.5" x 2.1" x 2.3" with battery tucked tightly inside and even engineered space-saving rear-mounted IN, OUT, and DC power jacks. Why does a guitarist need a “Boost” pedal? A boost pedal is not only used to kick up your volume when it’s time for your solo! A good booster can also solve a lot of problems in the modern gui
Description
*Up to 15dB of available and adjustable volume boost when pedal is on. *much slower speeds available thanks to the dual potentiometer being replaced by 2 Fulltone Custom-made Optocouplers. *even more lush and watery 'vibe sound. The CS-MDV3 V2 can be powered with an 18 volt DC power supply (included when bought direct from us) or by an 18 volt DC outlet on your power supply offering at least 300mA of current. You can also split between 2 x 9Volt DC outlets using Voodoo Lab's series splitter cable.
Description
The Fulltone Custom Shop SUPA-WAH, with its gorgeous Metallic-White finish, takes our legendary CLYDE Wah concept to the next level by offering two additional Modes, for a total of Five unique voices. Like having five totally different Wah pedals at your disposal, the modes are accessible via a large rotary switch located on the right side of the pedal! PHAT mode is the throatiest, most vocal Wah sound and my personal favorite. SUB is deep, grunty, and unbelievably expressive...works great on Bass, but cert
Description
The CS-ABY-ST is now the "v2," is now Black , still the best ABY switcher in the world, and just got a LOT smaller! The CS-ABY-ST V2 has silent soft switches. No pops, no ticks, and no electrocutions, thanks to a Nickel core custom-wound 1:1 transformer that doesn't boost the treble frequencies like the "industry standard" transformer does, so fuzzes played through the True-Path sound round and distortions don't sound strident. I can hear it, so can you. Using the most advanced 4 opto switching system
Description
Octafuzz... the only exact circuit copy of the legendary Tycobrahe Octavia. Cool Octave-Up sounds a la Hendrix "Band of Gypsies" and SRV's many live shows! Housed in a 16ga. steel enclosure with a beautiful ranar-blue gloss powdercoat finish and antique-white logo, this pedal is the reincarnation of the Tycobrahe. Scott Henderson 8/2022: "I’ve never done an album yet without your Octafuzz. I’d be lost without it!"* Gary Clarke Jr uses the Octafuzz (on "Fuzz" setting) for his epic Live and recorded F
Description
This is how you wished your Fuzzface sounded... Fat and Harmonic. And it cleans up like a vintage Fender amp when you turn down your guitar's volume control. The Rolling Stones and the Black Crowes have discovered this trick. If you love the first 2 Hendrix releases then you'll love this pedal, with 2 Germanium transistors hand-picked and tested for optimum performance. A Contour Knob lets you dial in Midrange, Harmonics and Sustain, also an Input Bias knob that takes out the "woofiness" and gives great
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Description
The Fulltone Custom Shop Hi-Mu, brings sustain, touch sensitivity, and articulation to a new High. Made with full size components, a handful of matched JFETs, hand-soldered craftsmanship, and without opamps, diodes, or digital circuitry. 100% handmade in the USA with full-size components The Custom Shop Hi-Mu is designed to excel as a singing Lead Voice, powered by 4 x New Old Stock Full-size JFETs configured as “Mu-Stacks” to behave in an amp-like manner, meaning it responds dynamically to the input
Description
Introducing the Fulltone Choralflange, the perfect blend of boutique choral and flanging effects crafted into one compact and robust pedal. Its all-analog design, coupled with controls for mix, delay time, depth, and rate, allows musicians to experiment with a variety of sounds, from subtle shifts to dramatic transformations. This pedal doesn't just enhance your guitar's signal, it adds up to two octaves, offering precise effect sculpting to tailor your unique sound. Plus, with its large headroom, this peda
Description
CS-MDV mkII...the world's smallest (3.9" W x 4.1" L x 2.3" H ) yet biggest sounding "real vintage Univibe clone." It's the biggest sounding 'vibe we've ever made or heard, power it with our 18 volt DC power supply (included when bought direct from us) or power it by using 2 x 9CVDC outlets on your pedalboard multi-power supply while using the Voodoo Lab PPY "series voltage doubling cable." The mkII has an expression pedal out jack should you need it, and still with no ICs and using only full-size Capacito
Description
The Deluxe version of the CLYDE wah has all the features that players have come to know and love about the original "CLYDE Standard" but with the following additions: Comes with the a custom-wound Fulltone pot...the most accurate (in resistance AND taper) reproduction of the vintage ICAR used in certain VOX wahs of the 60's and early 70's. Variable Input Level Control True-Bypass w/ bright side-viewable low current Pilot light status indicator 3 selectable modes: Wacked Jimi" (Clyde Standard) Shaft
Description
Featuring 3x hand-picked New old Stock BC184C discrete transistors, this spicy number is capable of vicious, massive sounding Distortion/Fuzz that will feedback infinitely even at bedroom levels! But here's the clincher, dial back the "H" (heat) knob and "D" (distortion) knobs and you can nail many Jimmy Page studio tones as well as your favorite Floyd sounds. Quite possibly the most versatile distortion/fuzz ever made. In a tiny package (this pedal fits in the palm of your hand) with top-mounted jacks, Hi
Description
Our Soul-Bender is based on the legendary Colorsound and Vox Series III ToneBenders made by Sola-Sound/England in the late '60's that was used by Beck and Page on much of their circa 1968-70 recordings. Equipped with 3 gain-matched germanium transistor for a FAT, searing lead tone, I also made the Tone control response and range more usable and much less shrill sounding... Full clockwise is SMOOTH sounding. The Soul-Bender cleans up when you back-off on the guitar's volume control. This pedal has tons
Description
The logical progression to the beloved Supa-Trem1 is here! It's a much, much smaller than the ST-1 at only 3.9" wide x 4" deep, and more intelligent version of the epic Supa-Trem1. Sporting True-Bypass,Tap-Tempo, external Tap jack, Half/Double hold feature, up to 15dB boost, true Square, Sine, and the natural heartbeat-like Warble wave-forms! It also can do speeds so slow that a full cycle takes around 10 seconds, and fast speeds beyond 220bpm. The heart of the ST-1 is still there, the warm Analog Device
Description
Ever played an original FuzzFace from around 1970? (HINT: Not AT ALL the same sound as ones with the same namesake being mass-produced currently.) Ours has two intentionally mismatched (for harmonic content) silicon transistors that snarl and spit... not for the meek! If you put the "Fuzz" on 10 you will rip, and you might get all sorts of oscillation and weirdness... but that's Rock. Don't try using it with a wah wah... you can't, and neither could Jimi, without it screaming and howling. You want polite an


















